Emergence & Rondures (co-composed with Paulina Sundin) are featuring at the VINDÖGA Festival, Sweden on 1st October 2016, performed by the Stockholm Saxophone Quartet. See here for further details.

 
A new hour-long soundscape will accompany an exhibition of paintings entitled Shadows and Reflections by Andy Fullalove at Bradford Cathedral 29th September to 29th October 2016. The soundscape will play continuously in the Lady Chapel throughout the exhibition. http://www.bradfordcathedral.org/calendar/event.php?event=6575

Terri Hron will perform our composition Lepidoptera (2014-15) in Volière électrique, Vancouver Creative Music Institute on September 30th, 2016. Click the link for further details.

An article discussing the aesthetics of post-acousmatic music, co-authored with Richard Scott and Pierre Alexandre Tremblay is now out in Organised Sound here:

http://dx.doi.org/10.1017/S1355771816000030

Borderlands – a 38-minute single for multi-tracked cellos is now available to stream on Spotify.

Joanna Nicholson and Matthew Whiteside performed Shibusa IV – Permutations in Glasgow on 16th May 2016. Here is a lovely review of this intimate, informal gig:  https://thetempohouse.wordpress.com/2016/05/16/review-the-night-with-hug-and-pint-glasgow/

Cortex and Symbiont are included in a fantastic seething mix by Bristol based producer Paul Jebanasam including tracks from Gorecki to Louis Dufort. You can listen to it here: http://secretthirteen.org/paul-jebanasam-subtext-mix/

There is a lovely review of Lepidoptera (co-composed with and performed by Terri Hron) in this month’s copy of the Wire (May, 2016).

A short article (co-authored with Deborah Templeton) and sound from the Borderlands installation is now published by the Liminalities journal and is availabe to read at http://liminalities.net/12-2/

Really good mix of recent Cronica releases including a track from Unfurling Streams is available here:

http://portcorner.com/v2/news/music-mix-portcorner-no1-cronica-electronica-label-sampler